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0.2 and 0.3 were taken in Kashmir, the Valley
and Gulmarg and Nagin Lake. Then we drove to Bihar, via Kangra Valley. There my first image of Gaddis, a biblical view of shepherds in white with their white flocks. On Through Mandi town and across the Shivaliks towards Shimla. The image here of range after range of hill in low light was to become so familiar in the years to come.
As we drove on East there ware images of a Gujar family on a ferry and of the Morris, by now referred to as the ‘Jewel of the East’ on the same ferry.
Kranti Singh and CCN at home in Bihar before we headed back West. The ‘Jewel’ crossing the Indus on a bridge made of boats. A steam engine chugging along the empty terrain East of Quetta.
Last images are of a chilly picnic beside the Caspian and finally deep snow through Turkey.
The Jewel made it back to London and was sold back to the car lot by the river where we had bought her.
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Rest House near Jim Corbet Park, UP. The Morris Traveller, we called ‘jewel of the East’, parked in front, Kranti Singh reading on left of picture while men clean the chairs.
Kullu. The Largi-Mandi gorge road. In the 1970s this section of the road was often blocked, sometimes involving ‘trans-shipment’- walking across the block to a bus waiting the other side, you hoped.
Kullu. As for 1.1.18 the Largi Mandi gorge road.
Kot temple, carved panels. Peacock and tiger head protruding form the end of the ridge pole.
Udaipur. Mirkula temple detail of the very fine wood carving of scenes from the Mahabharata
Dunghri Mela. Mother and child. The mother is wearing a traditional Kullui ‘pattu’, which is an un-cut length of tweed cloth, pinned below each shoulder. The pins are often attached to each other by a chain.
Manali Bazaar. Nepali woman and a school girl.
Manali Bazaar. Lahauli women.
On the way to Dunghri Mela. A deota’s ‘rath’ being carried. (see 1.3.5)
Rath’ being carried to Dunghri mela. (see 1.3.5)
Dunghri Mela. The ‘deota’s’ (god’s) utensils, including a yak tail whisk and a conch shell.
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Kranti walking on the unstable track through the gorge into Miyar, the only way in at the time.
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Tsring Dorze, Bhoti Master in his potato field. Near Keylong. He, like many Lahaulis, was a potato connoisseur, I took him some Golden Wonder potatoes seed form Scotland and they grew well; perhaps these are Golden Wonders.
Women and child near Jispa.
Girls on a bus. The coat/dress is called ‘cholu’ in Miyar. In Lahaul it is called ‘katter’
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House near Keylong. Note the verandah.
Village near Jispa. The ibex horns are an offering to Bonpo deity.
Looking back down into the Bhaga Valley, on the way to the Baralacha Pass.
Looking up towards the Baralacha La (Pass). Christina & Tsring Dorze (Bhoti master).
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Tsring Dorze’s wife. Making buckwheat pancakes, in their house near Keylong.
Lahaul summer. Elderly shepherd with dogs, near Jispa.
Jispa, portrait of a boy in a hat.
A yak near Kurgiakhkh with mountains behind it & track across the hill.
Ladakhi woman cleaning barley. Wearing wool cloak & amber necklace.
Detail of two boys, one in jacket, the other in a gown. The latter is holding a board for school lessons.
Woman wearing traditional headdress with turquoises & a cloak of sheep or goat skin. Child in basket on her back, child’s cap decorated with cowrie shell.
Ladakhi woman wearing traditional headdress with turquoises & a cloak of sheep or goat skin. Child in basket on her back, wearing traditional child’s cap with cowrie shell.
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Chorten, with Tikse gompa (monastery) on the hill behind.
Hay in foreground, several large houses and mountains beyond.
Houses. Buddhist shrine on the left. Hay drying in yard. A layer of furze on the roof. High snowy mountains in background.
Leh bazaar. Jeeps to hire as taxis. Two women in traditional clothes, one with child on her back. Poster for a Hindi movie.