Christina Noble Archive

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7.32All of these are taken from colour transparencies. They are of ceremony around Hadimba temple in at the old mela ground in Dhungri forest. A romantic setting, so colourful on all colour with the dark and mysterious forest. At this time we were living at Duff Dunbar above the temple. The ceremonies would last for several days. It usually began in the evening with an arresting drum beat and trumpet calls, that I found irresistible. The meeting of the 'deotas' and the 'rath' could sometimes be tempestuous. As the day wore on the dancing became more vigorous and would often last into the night. The man who had removed his top is xxx of becoming a 'gaur' oracle of the 'devi'. The man behind him is ready to support him if the 'devi' so possesses him that he cannot stand.‘Doetoas’’ ‘raths’ being carried from the Hadimba to the mela ground.

+ Region

Dunghri

+ Year

1975

+ Keyword

Clothes, Dhunghri

+ Ref. ID

1.3.13

Dunghri Mela. Mother and child. The mother is wearing a traditional Kullui ‘pattu’, which is an un-cut length of tweed cloth, pinned below each shoulder. The pins are often attached to each other by a chain.

+ Region

Dunghri

+ Year

1975

+ Keyword

Customs, Dunghri

+ Ref. ID

1.3.4

On the way to Dunghri Mela. A deota’s ‘rath’ being carried. (see 1.3.5)

+ Region

Dunghri

+ Year

1975

+ Keyword

Customs, Dunghri

+ Ref. ID

1.3.5

Rath’ being carried to Dunghri mela. (see 1.3.5)

+ Region

Dunghri

+ Year

1975

+ Keyword

Craft, Customs, Dhunghri

+ Ref. ID

1.3.6

Dunghri Mela. The ‘deota’s’ (god’s) utensils, including a yak tail whisk and a conch shell.

+ Region

Dunghri

+ Year

1972

+ Keyword

Dunghri, Temple

+ Ref. ID

1.8.14

The old ‘guar’ (oracle) outside Hadimba’s temple. He was a ‘harijan’ & not allowed inside.

+ Region

Dunghri

+ Year

1971

+ Keyword

Agriculture

+ Ref. ID

1.20.29

Manali village. Cattle grazing beside the river (Manalsu). Village children in charge. (comment:- today children and young men are reluctant to herd cattle/sheep, it is considered demeaning) These small black cattle are the local breed.

+ Region

Dunghri

+ Year

1970

+ Keyword

Architecture

+ Ref. ID

1.25.10A

Manali village. Over view of slate roofs, note no other roofing materials. The houses are densely packed together. Saving agricultural land? And/or easy access between neighbours in deep snow winters?

+ Region

Dunghri

+ Year

1970

+ Keyword

Architecture, Clothes

+ Ref. ID

1.25.3A

Manali Village. Young girls one in tweed ‘pattu’ and one in tweed dress, standing on paved courtyard, slate roofed buildings behind.

+ Region

Dunghri

+ Year

1970

+ Keyword

Architecture

+ Ref. ID

1.25.4A

Manali village. Young girl in tweed dress. Note: Manali village is not Manali bazaar. These days Manali village often referred to as ‘Old Manali’.

+ Region

Dunghri

+ Year

1970

+ Keyword

Architecture

+ Ref. ID

1.25.6A

Manali village. Carved timber balconies. Child crossing from balcony onto slated roof. Flagstone steps.

+ Region

Dunghri

+ Year

1970

+ Keyword

Architecture

+ Ref. ID

1.25.8A

Manali village. Slate roof, timber balconies, stone paved courtyards. Gourds climbing on to roofs. In 1970 Old Manali and most villages looked like this. By the 1980s access to new building materials meant rapid change in locations with road access.

+ Region

Dunghri

+ Year

1970

+ Keyword

Architecture, Craft, Wool

+ Ref. ID

1.26.13A

Manali village. People on timber balcony. A loom and some fleeces. Cattle below.

+ Region

Dunghri

+ Year

1970

+ Keyword

Landscape

+ Ref. ID

1.26.20

View from Gulab Das’s guest house, down to Goshal village & across to Vashist village. A neighbour standing on rock in foreground

+ Region

Dunghri

+ Year

1970

+ Keyword

Architecture, Clothes, Wool

+ Ref. ID

1.26.26

Manali village. Little girls in tweed ‘pattu’. Building behind timber ‘bonded’ construction, with stone.

+ Region

Dunghri

+ Year

1970

+ Keyword

Architecture, Clothes

+ Ref. ID

1.26.34

Manali village. Two girls, both wearing tweed ‘pattu’. Timber balcony & slate roof behind.

+ Region

Dunghri

+ Year

1978

+ Keyword

Clothes, Dunghri, Wool

+ Ref. ID

2.3.20

Dunghri Mela. Young girl laughing, wearing undyed tweed dress.

+ Region

Dunghri

+ Year

1978

+ Keyword

Clothes, Dhunghri

+ Ref. ID

2.3.25

Dunghri mela. Back view of a woman & of a young girl facing the camera, palms folded. They are sitting in the forest behind the temple. Both are wearing tweed ‘pattu’. Other women in shadow the forest behind.

+ Region

Dunghri

+ Year

1978

+ Keyword

Clothes, Dunghri, Wool

+ Ref. ID

2.3.26

3 Kullui men in tweed jackets and Kullui caps, sitting outside Hadimba temple in Dunghri forest.

+ Region

Dunghri

+ Year

1978

+ Keyword

Craft, Custom, Dunghri

+ Ref. ID

2.6.37A

Hadimba deota’s palanquin with ‘mohra’. There is An opinion that the central one, without decoration, is very old.

+ Region

Dunghri

+ Year

1976

+ Keyword

Clothes

+ Ref. ID

2.10.19

Duff Dunbar House. The chaukidar & his wife outside the byre. She has un-pinned her ‘pattu’ top & is holding its pins, showing them to me. Rahul’s Mothercare seat behind them.

+ Region

Dunghri

+ Year

1976

+ Keyword

Customs, Dunghri, Temple

+ Ref. ID

2.13.37

At the time of Rahul’s hair-cutting. Hadimba temple and kitchen area, through the ‘deodar’ trees. The photo conveys the ambiance of the place. I have a large print of this at Wilmington.

+ Region

Dunghri

+ Year

1980

+ Keyword

Architecture

+ Ref. ID

3.2.31A

Very sad last morning at Duff Dunbar, Boura Singh and Rahul.

+ Region

Dunghri

+ Year

1979

+ Keyword

Dunghri

+ Ref. ID

3.3.35

Two girls on the path through the ‘deodar’ forest to Hadimba temple.

+ Region

Dunghri

+ Year

1979

+ Keyword

Clothes, Craft, Wool

+ Ref. ID

3.10.18

Duff Dunbar’s chaukidar & his wife sitting outside the byre. Mothercare chair behind

+ Region

Dunghri

+ Year

1981

+ Keyword

Clothes, Dunghri

+ Ref. ID

4.2.22

Dunghri Mela. Young Kullui girls in their festive ‘pattu’.

+ Region

Dunghri

+ Year

1981

+ Keyword

Clothes, Customs, Dunghri

+ Ref. ID

4.2.26

Dunghri Mela. Two ‘gaurs’ (with uncut hair) talking. 2 young boys in smart local tweed jackets.

+ Region

Dunghri

+ Year

1981

+ Keyword

Customs, Dunghri

+ Ref. ID

4.2.3

Dunghri mela. Trumpeters outside the Hadimba temple. The sounds would echo temptingly through the forest. A Buddhist lama is looking on from the veranda.

+ Region

Dunghri

+ Year

1981

+ Keyword

Customs, Dunghri, Temple

+ Ref. ID

4.2.4

Dunghri. Dunghri mela. Trumpeters outside Hadimba Temple. The sound would echo enticingly through the forest.

+ Region

Dunghri

+ Year

1981

+ Keyword

Customs, Dunghri

+ Ref. ID

4.2.5

Dunghri mela dancers, monal pheasant feathers decorating their caps.

+ Region

Dunghri

+ Year

1982

+ Keyword

Customs, Work

+ Ref. ID

4.5.22

Manali. Above Gulab Das’s. West Himalayan Holiday all day picnic. Dolls, babies and tulips. One of my favourite photos.

+ Region

Dunghri

+ Year

1983

+ Keyword

Customs, Work

+ Ref. ID

4.5.35

Manali, above Gulab Das’s. West Himalayan Holidays all day picnic. Chamba dancing with Tara, Sunita playing the drum (jerry can).

+ Region

Dunghri

+ Year

1975

+ Keyword

Clothes, Religion, Temple

+ Ref. ID

7.31

All of these are taken from colour transparencies. They are of ceremony around Hadimba temple in at the old mela ground in Dhungri forest. A romantic setting, so colourful on all colour with the dark and mysterious forest. At this time we were living at Duff Dunbar above the temple. The ceremonies would last for several days. It usually began in the evening with an arresting drum beat and trumpet calls, that I found irresistible. The meeting of the ‘deotas’ and the ‘rath’ could sometimes be tempestuous. As the day wore on the dancing became more vigorous and would often last into the night. The man who had removed his top is xxx of becoming a ‘gaur’ oracle of the ‘devi’. The man behind him is ready to support him if the ‘devi’ so possesses him that he cannot stand.
7.32

+ Region

Dunghri

+ Year

1975

+ Keyword

Clothes, Religion, Temple

+ Ref. ID

7.32

All of these are taken from colour transparencies. They are of ceremony around Hadimba temple in at the old mela ground in Dhungri forest. A romantic setting, so colourful on all colour with the dark and mysterious forest. At this time we were living at Duff Dunbar above the temple. The ceremonies would last for several days. It usually began in the evening with an arresting drum beat and trumpet calls, that I found irresistible. The meeting of the ‘deotas’ and the ‘rath’ could sometimes be tempestuous. As the day wore on the dancing became more vigorous and would often last into the night. The man who had removed his top is xxx of becoming a ‘gaur’ oracle of the ‘devi’. The man behind him is ready to support him if the ‘devi’ so possesses him that he cannot stand.
All of these are taken from colour transparencies. They are of ceremony around Hadimba temple in at the old mela ground in Dhungri forest. A romantic setting, so colourful on all colour with the dark and mysterious forest. At this time we were living at Duff Dunbar above the temple. The ceremonies would last for several days. It usually began in the evening with an arresting drum beat and trumpet calls, that I found irresistible. The meeting of the 'deotas' and the 'rath' could sometimes be tempestuous. As the day wore on the dancing became more vigorous and would often last into the night. The man who had removed his top is xxx of becoming a 'gaur' oracle of the 'devi'. The man behind him is ready to support him if the 'devi' so possesses him that he cannot stand.

+ Region

Dunghri

+ Year

1975

+ Keyword

Clothes, Religion, Temple

+ Ref. ID

7.33

All of these are taken from colour transparencies. They are of ceremony around Hadimba temple in at the old mela ground in Dhungri forest. A romantic setting, so colourful on all colour with the dark and mysterious forest. At this time we were living at Duff Dunbar above the temple. The ceremonies would last for several days. It usually began in the evening with an arresting drum beat and trumpet calls, that I found irresistible. The meeting of the ‘deotas’ and the ‘rath’ could sometimes be tempestuous. As the day wore on the dancing became more vigorous and would often last into the night. The man who had removed his top is xxx of becoming a ‘gaur’ oracle of the ‘devi’. The man behind him is ready to support him if the ‘devi’ so possesses him that he cannot stand.
‘Doetoas’’ ‘raths’ being carried from the Hadimba to the mela ground.

+ Region

Dunghri

+ Year

1975

+ Keyword

Religion, Temple

+ Ref. ID

7.40

‘Doetoas’’ ‘raths’ being carried from the Hadimba to the mela ground.
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